Throughout this semester, when visiting small cities in the south and midwest, I found myself scouring for hand-made crafts. I would wonder aimlessly around shops and stands until I realized, I was subconsciously headed straight towards the hand-made crafts section. Being in the role of the maker this semester of course has encouraged me to continue to make, but I've found I have more appreciation for other fellow/experienced makers. I find other people's crafts to be inspirational as well as unique and intimate. Whether they produce things out of necessity to make money, or as a hobby that they can cash on, I'm getting a glimpse of their life and know a little bit of what they do outside of standing at this booth, wrapping up my souvenir.
Students in an Honors seminar on "The Past, Present, and Future of Handmade" discuss the history, philosophy, and practice of handcrafting.
Sunday, January 9, 2011
The intrigue of hand-made
Through my travel journals, I have observed that in many souvenir booths and shops, hand-made crafts are the most celebrated and successful. Why is this? I'll admit I used to scoff at the knitted goods on the souvenir strips in Nha Trang, Vietnam (where Miss Universe was hosted in 2008) because I thought knitting was such a normal, easy craft done everywhere---why would you get a knit purse here and not home? As we've reflected on our own knitting projects, I'm starting to see the intrigue in hand-made knits created by people of different cultures and lifestyles. One, it's a great, non-flashy remnant of whatever place you bought it from. Two, it's hand-made and an inherently one-of-a-kind craft that you likely only have one opportunity of obtaining.
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